Building upon Haselberger’s recent inclusion of optical measures within the broader Vitruvian concept “detractions and additions”, optical measures will be considered here within an interdisciplinary artistic and philosophical discourse comprised of painting and sculpture, and in an historical sequence extending from the Classical to the Hellenistic period (Haselberger 1999, pp. These issues had up to that point been primarily considered within an architectural and mathematical discourse. When the physical evidence for such measures was found at the Parthenon in the early 1830s, a heated debate rose within the scholarly community, primarily on the intentionality of optical measures and secondarily on their origins, purpose, effects and meaning. Barely noticeable to the modern eye, the curvature of stylobate and entasis, contraction, inclinations, and enlargement of columns were already known from Vitruvius. It does not store any personal data.Optical measures, such as curvature, entasis and other Greek temple refinements were broadly defined as subtle deviations from the straight outline and surface, from the strictly vertical and horizontal arrangement of forms, and from the equal dimensions of similar elements. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. Save Read More: Architecture News | Competition Results | Result Announcement Winner:Īn illustration going inside of the red lines of Muralla Roja.Įxplore the entire result on the competition WEBSITE. The selection (architectural element, building, space, etc.) is the 1st part of the challenge and the 2nd part is representation – both require to be represented and evaluated. The aim is to create an immersive user experience that can bring out the essence of the theme in its t exture, depth, scale, or shapes, with no constraints. Illusions are used to create a sense of curiosity to attract people to it, and this is used to convey social messages and stimulate minds. In the late mid-20th century, abstract artists took interest in these illusions and created the genre of optical illusions art, which has blown up ever since. They are generated when the mind is contradicted between deciding two things that it knows, to be facts. Illusions are a trick of the eye, and this concept is used far and wide to understand the difference in perception of how we see the world and how it actually is. Reuse Architectural Illusion, challenge is to design an architecture poster or architecture artwork of an optical illusion, inspired by the concept of Illusory Contours, in two-dimensional illustration.
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